Bill Haney has insisted that his son Devin will “absolutely” fight Shakur Stevenson, but only if terms are met at the negotiating table.

Both pound-for-pound stars have been linked to a move to Dana White’s Zuffa Boxing, perhaps with the intention of clashing under the promotional banner.

At this stage, Zuffa does not recognize the super lightweight division, where Stevenson won the WBO title by unanimous decision over Teofimo Lopez.

Thanks to this particular triumph, he became a four-division world champion in January, but if he signs a contract with Zuffa, the 28-year-old will have to choose between fighting in the lightweight or welterweight division.

Stevenson had previously insisted he would only face a welterweight opponent under one of two conditions: either a rehydration clause in his contract or a catchweight of 144 pounds.

However, it appears that Haney will not accept either option, as the WBO champion’s father told Cigar Talk host Naji that he will not accept such offers.

It doesn’t look like a Shakur Stevenson vs. Devin Haney fight will happen anytime soon. Speaking live with Bill Haney last night, it appears the two sides will be unable to agree on the importance of pic.twitter.com/88FNrlHMa7

— Naji (@NajiChill) June 5, 2026

While ruling out any possibility of a weight being set, Bill Haney said his son would face Stevenson at his usual fighting weight of 147 pounds.

Haney became the three-division world champion last November. dethroning Brian Norman Jr by unanimous decision after scoring a knockout in the second round.

Since then, there has been talk of a unification match with WBA champion Rolando Romero, which was initially supposed to take place on May 30.

However, with no official dates on the diary, the immediate future of both Haney and Stevenson remains quite hazy.

Thomas Hearns’ resume has been long, legendary and full of talent, but there is one fight that “The Motor City Cobra” prayed for and didn’t get before he hung up the gloves.

“The Killer” debuted in 1977 and ran for a remarkable 29 years sharing the ring with the other “Four Kings”; Sugar Ray LeonardMarvelous Marvin Hagler and Roberto Duran and became the first five-division boxing world champion.

The Detroit fan favorite was one of the first to adopt the “Kronk” style under much-lauded trainer Emanuel Steward, and that approach led Hearns to world honors at welterweight, super welterweight, middleweight, super middleweight and lightweight heavyweight.

But of all the 67 fights in his career, the most talked about is undoubtedly Hearns’ three-round shootout with Hagler, and the first round of that fight is considered the most fascinating round in boxing history.

Still, Hearns ultimately finished second in the iconic eight-minute battle. I’m talking to Volunteer Fire Department Television“The Killer” admitted that he desperately wanted a rematch with Hagler to take revenge for that defeat.

“He [Hagler] he was a great man. I’m not trying to be witty or anything, but I prayed for another fight with him. I wish I had that opportunity.”

“This man had great ability and he showed me Thomas Hearns, who blows everyone away, turned the tables. I’m not afraid to say it because this man has gained my respect.”

Hagler was one of only four players to surpass Hearns in his career, and he was joined in that exclusive club by Leonard, Iran Barkley and Uriah Grant.

Art Garfunkel made a surprise appearance at Madison Square Garden on May 29, joining Charlie Puth on stage for a duet of “The Boxer.” Garfunkel told the audience that Puth was “my student,” crediting the younger singer with a debt to the catalog he created with Paul Simon, as reported by Billboard.

The moment was a reminder that boxing has long held a place in popular songwriting, far beyond the entrance music that plays before a title fight. Folk, reggae, soul, rock and hip-hop songwriters have used the ring as a backdrop for stories about ambition, violence, race and survival. The following ten songs focus on boxing or a specific fighter.

1. “The Boxer”, Simon and Garfunkel (1969)

Paul Simon wrote “The Boxer” and released it as a Simon and Garfunkel single in March 1969, before it appeared on the 1970 album. The lyrics move between a first-person description of poverty in Modern York and a third-person portrait of a warrior who bears the marks of every blow. Simon said the song was largely autobiographical and written when he felt he was being unfairly criticized. It reached the top ten of the Billboard Heated 100 and remains one of the duo’s signature recordings.

2. “Black Superman (Muhammad Ali)”, Johnny Wakelin and the Kinshasa Band (1974)

English songwriter Johnny Wakelin built this reggae-style tribute around Muhammad Ali’s victory over George Foreman in Kinshasa in 1974, a fight known as the Rumble in the Jungle. The single reached number 7 on the UK Singles Chart and number 21 on the Billboard Heated 100. Wakelin returned to Ali two years later with “In Zaire”, another tale of the same struggle, which became a top five UK hit.

3. “Hurricane”, Bob Dylan (1976)

Co-written by Bob Dylan and Jacques Levy and released on the 1976 album, “Hurricane” is about the case of middleweight contender Rubén Carter, who was convicted of murdering three people in a Modern Jersey bar in 1966. Dylan’s lyrics argue that Carter was framed and denied a fair trial. Carter’s conviction was overturned by a federal judge in 1985.

4. “Gonna Fly Now” (Theme from “Rocky”), Bill Conti (1976)

Composed for the original by Bill Conti, “Gonna Fly Now” became a hit in its own right, reaching number one on the Billboard Heated 100 in 1977. The brass instrumental, associated with the image of Sylvester Stallone training to run up the steps of the Philadelphia Museum of Art, is one of the most recognizable pieces of music associated with sports.

5. “The Greatest Love of All”, George Benson (1977)

Written by Michael Masser and Linda Creed, “The Greatest Love of All” was the subject of a 1977 biopic in which Muhammad Ali played himself. George Benson’s original reached No. 2 on the R&B chart and No. 24 on the Billboard Heated 100. Whitney Houston’s 1986 version later made it a standard.

6. “Hit Me With Your Best Shot” by Pat Benatar (1980)

Written by Eddie Schwartz and recorded by Pat Benatar in 1980, “Hit Me With Your Best Shot” is a song about relationships built entirely around boxing imagery, from fighting to exchanging punches. It reached number 9 on the Billboard Heated 100, her first top ten single in the United States, and remains a staple of her catalog. It’s more about the boxing metaphor than the sport itself.

7. “Eye of the Tiger”, Survivor (1982)

Sylvester Stallone ordered “Eye of the Tiger” after he was unable to license Queen’s “Another One Bites the Dust.” The 1982 recording of Survivor topped the Billboard Heated 100 charts for six weeks and won a Grammy Award. It remains shorthand for training montages and underdog comebacks far beyond boxing.

8. “Boom Boom Mancini”, Warren Zevon (1987)

Warren Zevon, whose father worked as a boxer, wrote “Boom Boom Mancini” for his 1987 album. The song traces the career of lightweight champion Ray Mancini, including his first-round knockout of Arturo Frias and his 1982 title defense against Duk Koo Kim, who died from injuries sustained in the fight. Zevon’s text sharply criticizes those who blamed Mancini for the tragedy.

9. “Mama Said She’d Knock You Out”, LL Frigid J (1990)

LL Frigid J said the title came from his grandmother, who urged him to respond to criticism. The title track from his 1990 album marks a return to his career in the language of the ring, and the music video, shot in stark black and white, takes place in a boxing gym. He won a Grammy Award for Best Rap Solo Performance.

10. “Killer”, Bruce Springsteen (2005)

One of the darkest entries in Bruce Springsteen’s catalog, “The Hitter” appears on his 2005 acoustic album and dates back to the mid-1990s Ghost of Tom Joad period. Sung in the first person, it tells the story of an aging warrior who returns to his mother’s house delayed at night and recounts a brutal life spent hurting other men. There is no redemption in the story, only exhaustion.